• PCI & Cardbus
  • PCI Express
    • Internal
      • HDSPe MADI FX
        • 390-Channel 192 kHz Triple MADI PCI Express card
      • HDSPe MADI
        • 128-Channel 192 kHz MADI PCI Express card
      • HDSPe AES
        • 32-Channel 192 kHz AES/EBU PCI Express card
      • HDSPe RayDAT
        • 72-Channel 192 kHz ADAT/AES PCI Express card
      • HDSPe AIO
        • 38-Channel 192 kHz PCI Express card (SPDIF, AES/EBU, ADAT, MIDI, Analog)
      • HDSP TCO
        • Optional Hammerfall DSP Synchronisation module
    • External
      • HDSPe MADIface
        • 128-Channel 192 kHz MADI PCI ExpressCard for notebook computers
      • Multiface II
        • 36-Channel 96 kHz Audio Interface
      • Digiface
        • 52-Channel 96 kHz Digital Audio Interface
      • RPM
        • class="red">Out of production!
      • HDSPe PCI Card
        • HDSP PCI Express Interface for Desktop Computers
      • HDSPe ExpressCard
        • ExpressCard/34 Interface for mobile computers
  • Firewire & USB
    • Babyface
      • 22-Channel, 24-Bit 192 kHz Bus-powered USB High-Speed Audio Interface
    • Fireface UFX
      • 60-Channel, 24-Bit 192 kHz USB & FireWire Audio Interface
    • Fireface UCX
      • 36-Channel, 24-Bit 192 kHz USB & FireWire Audio Interface
    • Fireface UC
      • 36-Channel, 24-Bit 192 kHz,
        USB High-Speed Audio Interface
    • Fireface 800
      • 56-Channel, 24-Bit 192 kHz FireWire Audio Interface
    • Fireface 400
      • 36-Channel, 24-Bit 192 kHz,
        Bus Powered Mobile FireWire Audio Interface
    • Fireface TCO
      • Optional Fireface 800 Synchronisation module
  • MADI & AES/EBU
    • HDSPe MADI FX
      • 390-Channel 192 kHz Triple MADI PCI Express card
    • HDSPe MADI
      • 128-Channel 96 kHz MADI PCI Express card
    • HDSP MADI
      • 128-Channel 96 kHz MADI PCI card
    • HDSPe MADIface
      • 128-Channel 192 kHz MADI PCI ExpressCard for notebook computers
    • HDSP AES-32
      • 32-Channel 192 kHz AES/EBU PCI card
    • HDSPe AES
      • 32-Channel 192 kHz AES/EBU PCI Express card
    • M-32 / M-16 AD
      • 32- and 16-Channel High-End Analog to MADI/ADAT converters
    • M-32 / M-16 DA
      • 32- and 16-Channel High-End MADI/ADAT to Analog converters
    • ADI-642
      • 8-Channel 192 kHz MADI / AES/EBU Format Converter with 72 x 74 Routing Matrix
    • ADI-6432/ADI-6432R
      • Bidirectional 64-Kanal 192 kHz MADI / AES/EBU Format Converter
    • ADI-6432R BNC
      • Bidirectional 64-Kanal 192 kHz MADI / AES3-id Format Converter
    • ADI-648
      • 64-Channel 192 kHz ADAT/MADI Format Converter
    • MADI Bridge
      • 8 x 64 channel MADI Switcher/Router
    • MADI Converter
      • 6-fold MADI Optical-BNC/BNC-Optical Converter
  • Converters
    • Micstasy
      • 24 Bit 192 kHz 8-Channel Full Range Preamp & AD Converter
    • M-32 / M-16 AD
      • 32- and 16-Channel High-End Analog to MADI/ADAT converters
    • M-32 / M-16 DA
      • 32- and 16-Channel High-End MADI/ADAT to Analog converters
    • ADI-8 QS
      • 192 kHz 8-Channel High-End AES-EBU/ADAT/MADI AD/DA Converter
    • ADI-8 DS
      • High-Precision 8-Channel 96 kHz ADAT/TDIF AD/DA Converter
    • ADI-8 DS Mk III
      • 192 kHz 8-Channel High-End AES-EBU/ADAT AD/DA Converter
    • ADI-2
      • High Performance 192 kHz 2-Kanal ADAT/SPDIF/AES-EBU AD/DA Converter
    • ADI-192 DD
      • 192 kHz 8-Channel AES-EBU/ADAT/TDIF Format and Samplerate Converter
    • ADI-4 DD
      • 8-Channel 24 Bit/96 kHz AES-EBU/ADAT Format Converter
  • Mic Preamps
    • DMC-842
      • 24-Bit/192kHz 8-Channel AES42 Interface for Digital Microphones
    • Micstasy
      • 24-Bit/192kHz 8-Channel Full Range Preamp & AD converter
    • OctaMic II
      • 8-Channel MicPreamp with integrated AD conversion
    • OctaMic (D)
      • 8-Channel MicPreamp (OctaMic D: integrated AD converter)
    • QuadMic
      • 4-Channel MicPreamp
  • RME Accessories
    • HDSP TCO
      • Optional Hammerfall DSP Synchronisation module
    • Expans. Boards
      • Optional Expansion Boards for HDSP PCI cards
    • Advanced Remote
      • External monitoring remote for Fireface UFX/UCX and others
    • BOB-16
      • Universal analog XLR/SUB-D Breakout Box
    • BOB-32
      • Universal XLR/SUB-D Breakout Box
    • Cables&Adapters
      • Cables and Adapters for RME products
    • Rackmounts
      • Rackmounts for RME products
  • ALVA Cableware
    • RME partner
      • ALVA Audioware/Cableware: cables, tools and adapters for RME devices
Fireface UC
  • 36-Channel, 24-Bit/192kHz
  • USB High Speed Audio Interface
Fireface UC
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FireWire & USB Series

more information

Fireface UC System Compatibility:

General Information

The following pages present the results of compatibility tests carried out by a number of users of the Fireface UC prior to general sales start. In the interest of clarity, only the most important information is shown here, while details can be found in the RME Forum

The results of these tests can be summed up as follows:

Mac OS X

Exceptional performance on par with PCI. Buffer sizes down to 32 samples can be used in practice with CPU loads close to 100%. There are two reasons: Most Mac Intel hardware is up to date, and works quite well with USB on a hardware level. Furthermore, Apple did a good job with USB Audio, ensuring great performance and stability inside OSX and Core Audio. Microsoft could well take a page from Apple's book here...

Windows

USB 2.0 can be found on Wintel machines since 2002, but the first generations of USB controllers did not work quite as well as required for realtime audio. Although PCs from around 2003 (e.g. Intel 875 with P4 CPU) work well with the Fireface UC in principle, a simple stereo playback already causes a CPU load around 30%. Latencies below 256 samples are not always click-free even with small applications. Close examination revealed that this CPU load is in fact a hidden DPC latency. Apparently, the interface chip works inefficiently, and causes wait states for the CPU.

This behaviour occurs regardless of the driver and operating system. Intel seem to have identified the problem with the ICH7. Modern PCs with ICH8, 9, and 10 exhibit an excellent USB performance in principle, and mostly feature Core 2 Duo CPUs, assuring ample processing power. Current Netbooks usually feature ICH7 controllers, ensuring general compatibility, but the slow Atom CPU causes a fairly high load even with simple stereo playback, which is often also the case with the internal sound chip. Older AMD and ATI based PCs frequently have disastrous USB interfaces, which prove to be totally incompatible with the Fireface UC.

Based on the above findings, and to avoid any disappointment for our customers, the system requirements for full operation of the Fireface UC have been strictly set to at least a Core 2 Duo CPU, which is mostly accompanied by recent USB controllers. Older PCs may work, as shown in our list, but with certain restrictions. Whether or not these are acceptable is something each customer can only decide for himself.

In short: The Fireface UC is a brand-new product of the year 2009, i.e. with latest technology, and works best with current computers.

All Windows versions from XP SP2 will work, since SP2 featured improved USB support. On the Mac, Mac OS X 10.5 is required, since the Fireface UC uses certain OS functionalities which did not exist in earlier versions.

But even the latest computer may fail if it is ill-configured. This applies to notebooks mostly, whose default configuration is often insufficient, which can not be significantly improved without special driver or BIOS updates. This not only affects the Fireface UC, but any audio interface.

Comments on the compatibility statements

Achievable performance (and the subsequent degree of compatibility) is classified in three categories.
- Compatible (everything works, occasional clicks require further computer optimization)
- Compatible with limited performance (older computers with increased CPU load)
- Not compatible

Users were asked to specify the lowest usable latency in practice. Since various users' applications are different, there may be varying statements for similar computer hardware. Large projects with high CPU load require higher latencies. On the other hand, a statement of 256 samples does not mean that smaller projects might not work well with lower latencies.

Many of the notebooks listed only reach good performance after massive system tuning (true for any audio interface). Details can be found on the RME Forum.




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