• PCI & Cardbus
  • PCI Express
    • Internal
      • HDSPe MADI FX
        • 390-Channel 192 kHz Triple MADI PCI Express card
      • HDSPe MADI
        • 128-Channel 192 kHz MADI PCI Express card
      • HDSPe AES
        • 32-Channel 192 kHz AES/EBU PCI Express card
      • HDSPe RayDAT
        • 72-Channel 192 kHz ADAT/AES PCI Express card
      • HDSPe AIO
        • 38-Channel 192 kHz PCI Express card (SPDIF, AES/EBU, ADAT, MIDI, Analog)
      • HDSP TCO
        • Optional Hammerfall DSP Synchronisation module
    • External
      • HDSPe MADIface
        • 128-Channel 192 kHz MADI PCI ExpressCard for notebook computers
      • Multiface II
        • 36-Channel 96 kHz Audio Interface
      • Digiface
        • 52-Channel 96 kHz Digital Audio Interface
      • RPM
        • class="red">Out of production!
      • HDSPe PCI Card
        • HDSP PCI Express Interface for Desktop Computers
      • HDSPe ExpressCard
        • ExpressCard/34 Interface for mobile computers
  • Firewire & USB
    • Babyface
      • 22-Channel, 24-Bit 192 kHz Bus-powered USB High-Speed Audio Interface
    • Fireface UFX
      • 60-Channel, 24-Bit 192 kHz USB & FireWire Audio Interface
    • Fireface UCX
      • 36-Channel, 24-Bit 192 kHz USB & FireWire Audio Interface
    • Fireface UC
      • 36-Channel, 24-Bit 192 kHz,
        USB High-Speed Audio Interface
    • Fireface 800
      • 56-Channel, 24-Bit 192 kHz FireWire Audio Interface
    • Fireface 400
      • 36-Channel, 24-Bit 192 kHz,
        Bus Powered Mobile FireWire Audio Interface
    • Fireface TCO
      • Optional Fireface 800 Synchronisation module
  • MADI & AES/EBU
    • HDSPe MADI FX
      • 390-Channel 192 kHz Triple MADI PCI Express card
    • HDSPe MADI
      • 128-Channel 96 kHz MADI PCI Express card
    • HDSP MADI
      • 128-Channel 96 kHz MADI PCI card
    • HDSPe MADIface
      • 128-Channel 192 kHz MADI PCI ExpressCard for notebook computers
    • HDSP AES-32
      • 32-Channel 192 kHz AES/EBU PCI card
    • HDSPe AES
      • 32-Channel 192 kHz AES/EBU PCI Express card
    • M-32 / M-16 AD
      • 32- and 16-Channel High-End Analog to MADI/ADAT converters
    • M-32 / M-16 DA
      • 32- and 16-Channel High-End MADI/ADAT to Analog converters
    • ADI-642
      • 8-Channel 192 kHz MADI / AES/EBU Format Converter with 72 x 74 Routing Matrix
    • ADI-6432/ADI-6432R
      • Bidirectional 64-Kanal 192 kHz MADI / AES/EBU Format Converter
    • ADI-6432R BNC
      • Bidirectional 64-Kanal 192 kHz MADI / AES3-id Format Converter
    • ADI-648
      • 64-Channel 192 kHz ADAT/MADI Format Converter
    • MADI Bridge
      • 8 x 64 channel MADI Switcher/Router
    • MADI Converter
      • 6-fold MADI Optical-BNC/BNC-Optical Converter
  • Converters
    • Micstasy
      • 24 Bit 192 kHz 8-Channel Full Range Preamp & AD Converter
    • M-32 / M-16 AD
      • 32- and 16-Channel High-End Analog to MADI/ADAT converters
    • M-32 / M-16 DA
      • 32- and 16-Channel High-End MADI/ADAT to Analog converters
    • ADI-8 QS
      • 192 kHz 8-Channel High-End AES-EBU/ADAT/MADI AD/DA Converter
    • ADI-8 DS
      • High-Precision 8-Channel 96 kHz ADAT/TDIF AD/DA Converter
    • ADI-8 DS Mk III
      • 192 kHz 8-Channel High-End AES-EBU/ADAT AD/DA Converter
    • ADI-2
      • High Performance 192 kHz 2-Kanal ADAT/SPDIF/AES-EBU AD/DA Converter
    • ADI-192 DD
      • 192 kHz 8-Channel AES-EBU/ADAT/TDIF Format and Samplerate Converter
    • ADI-4 DD
      • 8-Channel 24 Bit/96 kHz AES-EBU/ADAT Format Converter
  • Mic Preamps
    • DMC-842
      • 24-Bit/192kHz 8-Channel AES42 Interface for Digital Microphones
    • Micstasy
      • 24-Bit/192kHz 8-Channel Full Range Preamp & AD converter
    • OctaMic II
      • 8-Channel MicPreamp with integrated AD conversion
    • OctaMic (D)
      • 8-Channel MicPreamp (OctaMic D: integrated AD converter)
    • QuadMic
      • 4-Channel MicPreamp
  • RME Accessories
    • HDSP TCO
      • Optional Hammerfall DSP Synchronisation module
    • Expans. Boards
      • Optional Expansion Boards for HDSP PCI cards
    • Advanced Remote
      • External monitoring remote for Fireface UFX/UCX and others
    • BOB-16
      • Universal analog XLR/SUB-D Breakout Box
    • BOB-32
      • Universal XLR/SUB-D Breakout Box
    • Cables&Adapters
      • Cables and Adapters for RME products
    • Rackmounts
      • Rackmounts for RME products
  • ALVA Cableware
    • RME partner
      • ALVA Audioware/Cableware: cables, tools and adapters for RME devices
Advanced Remote Control (ARC)
  • Remote Controller for
  • Fireface UFX & Fireface UCX and others
Advanced Remote Control
  • 1
  • 2
  • 3

Accessories

more information

Videos

ARC Overview

RME Advanced Remote Control

Advanced Remote Control

Supported Interfaces

    - Fireface UFX*
    - Fireface UCX

Overview

This wired Advanced Remote Control (ARC) has been designed for direct access to the most frequently used actions and commands required in a studio's daily work. Its extremely flexible configuration through TotalMix FX will simplify the workflow and greatly increase the usability of the RME interface in any real world situation.

* The Advanced Remote Control (ARC) can be used with all Fireface UCX. It can also be used with all Fireface UFX with a serial number 23241707 (built after June 2011) or higher. Upcoming interfaces that feature an Advanced Remote Control connector will also be compatible. Users that own a Fireface UFX with a serial number below 23241707 have to send their UFX to their distributor as it requires a hardware modification to be fully compatible to the Advanced Remote Control. This modification is not free of charge.

The ARC consists of a solid metal case with a main encoder dial, 2 push buttons and 6 LED-equipped buttons. The Remote Control connects to the main interface via a 5 m (16.4 ft.) cable and a special connector on the back of both units.

Supported Features

ARC Setup

ARC Setup Features


The top of the Advanced Remote Control features a rotary encoder with push switch function, 2 lower buttons, and 6 upper buttons with Status LED. The rotary encoder is used to change various parameters, like gain and volume. The left button Prog is programmable, and can perform several functions. The same is true for the upper 6 buttons, which also include a status LED to signal the current state.

The ARC provides default settings for the 7 programmable buttons, but can be freely configured via the Key Commands dialog of TotalMix FX. All buttons can be assigned to more than 36 different commands. The behaviour of each individual button can be changed between push, toggle, enable and disable, depending on the base function.


Available commands/actions (examples):

- Main Volume
- Global Mute
- Global Solo
- Mute Group 1 to 4
- Solo Group 1 to 4
- Fader Group 1 to 4
- Link Main AB
- Speaker B Select
- DIM (Main Out)
- Mute (Main Out)
- Mute FX (Main Out)
- Mono (Main Out)
- External Input
- Reverb
- Echo
- Cue Phones 1 to 4
- Snapshot 1 to 8
- Mic Gains
- Inst. Gains
- Volume Phones

Several functions can be activated at the same time. Example: Button A is set to Cue Phones 1. That means the phones submix is heard via the Main output (the studio monitors). Now to be able to also change the volume of the phones submix itself, set button B to Volume Phones 1. Activating both will allow you to listen to the phones submix via the main output, and also to change its volume (the fader in the third row) by turning the encoder knob.

In stand-alone mode of Fireface UCX and UFX there is no TotalMix FX on the host computer. Therefore the settings for the ARC are no longer available. Instead a fixed set of functions is activated:

- Turn Encoder: Main Out volume
- Push on Encoder: Dim for Main Out
- Recall button: Recall function for Main Out
- Prog: no function
- Buttons A to F: load Setup 1 to 6

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