ADI-648
  • 64-Channel 192 kHz
  • ADAT/MADI format converter
ADI-648
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MADI & AES/EBU Series

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RME ADI-648

ADI-648

Overview

Connectivity

  • 1 x MADI I/O (optical and coaxial)
  • 8 x ADAT I/O (optical)
  • 1 x MIDI I/O
  • Word Clock I/O
  • RME Remote

This Multichannel Audio Digital Interface offers format conversion from MADI to ADAT and vice-versa. The ADI-648 thus combines the world's most successful multi-Channel interface with the professionals' exclusive high-end interface. MADI offers 64 channels of 24-Bit audio at up to 48 kHz sample rate, and 32 channels at up to 96 kHz. Transmission happens over a single line, either coaxial (BNC) or fiber optic (network). In both cases the cable length can be more than 100 meters.

The MADI channels are transferred from and to 8 ADAT optical inputs and 8 outputs via TOSLINK. Furthermore, the ADI-648 contains an easy-configurable 8-Channel 16x16 Matrix Router. Any of the outputs, which are divided into 8-Channel blocks, can be fed from any 8-Channel input block, both on the ADAT and the MADI side. With this, there is not only free routing within the M-A and the A-M conversion, but also splitting and routing within the same format. An 8-Channel input block can be routed to any number of output blocks in parallel. Using more than one unit, several MADI signals can be combined to one (merging). Here are some application examples:

The ADI-648 is compatible to all forms of increasing the sample rate (Double Speed). It supplies word clock in single or double speed, distributes 96 kHz signals in Double Wire mode into the MADI data stream, or per Sample Split (S/MUX) to the ADAT ports, but is also capable of double MADI rate (96k Frame). The ADI-648 thus also represents an ideal MADI front-end for the Hammerfall and Hammerfall DSP series.

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Features

SyncAlign SyncAlign
SyncAlign includes several methods and techniques to guarantee absolute data alignment with regard to time and channels. No RME digital audio card will ever swap channels, not in stereo nor in multi channel mode, regardless what you do with the card and the signals it gets. SyncAlign also controls the timing among the channels, no matter how much are used, they will always start sample-aligned.
When the record while play mode is activated, the corresponding software first starts record and then playback (or playback then record.) SyncAlign can compensate the time difference so that an exact simultaneous start of record and playback in the record while play mode is guaranteed. In asynchronous mode (different programs use different stereo devices of one card) this part of SyncAlign is automatically deactivated.
® and SyncCheck SyncCheck
When working with several digital sources it is not only necessary that these are all properly locked, they also have to be totally synchronized. Else drop outs and crackling occurs.
RME's exclusive SyncCheck checks all input signals. In clock mode Master the synchronous operation to the internal clock is checked. This outstanding and unique technology helps to find errors immediately. The actual state of each input is displayed in the settings dialog.
®, technologies known from and proven by other RME products, allow for perfect sync between all channels and easy notification of error states. And of course multiple devices can be cascaded and synchronized sample-accurate using word clock. The ADI-648 accepts 56 channels, 64 channels and 96k frame at its input, and can be set to generate those formats at its output. This way the ADI-648 even serves as perfect interface between otherwise incompatible MADI devices!

The compact device with 19" width and 1HU has numerous further outstanding features, like Intelligent Clock Control (ICC) Intelligent Clock Control (ICC)
Our unique SyncCheck and AutoSync technology has evolved into the new Intelligent Clock Control of the Hammerfall DSP system. HDSP is the only digital I/O-system worldwide capable of measuring and displaying the frequency of all clock sources. Even word clock! Based on validity and current sample rate the system then decides which clock source should be used - fully automated and performed in hardware! With this the HDSP system offers the most easiest handling of the present clocks, although having a lot digital inputs, plus the most advanced support when configuring the clock setup.
  and storing of the settings. It's even possible to transmit 16 MIDI channels in parallel to all 64 audio channels. A fully automatic input selection between optical and coaxial input offers a useful redundancy mode for critical applications. Extensive status displays give information about Lock and Sync states, audio content and the physical quality of the incoming signal.

Talking about clock: The ADI-648 includes SteadyClock(TM), a digitally controlled clock, especially developed by RME for MADI operation. It allows for operation without an additional word or AES clock line. The reference clock is extracted in highest quality from the MADI signal itself.

The rear of the ADI-648 looks clear and tidy. Eight ADAT optical inputs and outputs each, two MADI inputs and outputs each (coaxial, optical), word clock I/O (BNC) with switchable termination, and two DIN MIDI jacks offer unbeatable flexibility and compatibility.

The ADI-648 is compatible to MADI interfaces of companies like Sony, Merging, Lawo, Euphonix, Stagetec, Jünger, Audio Service, AMS and others.

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Remote Control


ADI-648

The ADI-648 can be remote controlled completely via MIDI. Also all controls and LEDs on the front plate - the complete status - can be read via MIDI. Each ADI-648 can be programmed with its own ID, providing a separated remote control of multiple devices via a single MIDI channel.

The Windows software MIDI Remote can be downloaded for free from the RME website. It can use any existing MIDI port within the system to perform remote control and status requests of all ADI-648 via a simple mouse click. The software provides both a front-panel like operation (see above) and an extended Matrix display. Most appealing is the combination with a Hammerfall DSP(e) MADI, offering a direct control of the ADI-648 via MADI. The remote control software then uses a virtual MIDI port of the card that directly sends and receives MIDI data via MADI.

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Tech Specs

Schematic view

Input MADI: 1 x BNC, 1 x optical

Output MADI: 1 x BNC, 1 x optical

Input ADAT optical: 8 x TOSLINK, 24-Bit, Bitclock PLL

Output ADAT optical: 8 x TOSLINK, 24-Bit

Input word clock: BNC, Signal Adaptation Circuit (functional from 1.2 Vpp input signal), switchable termination

Output word clock: BNC, low-impedance driver stage, 4 Vpp into 75 Ohms, short-circuit-proof

MIDI input and output: via two 5-pin DIN jacks

Sync sources: MADI, ADAT optical, word clock, internal

Varipitch: by input signal or word clock

Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, variable (Sync/word clock)

Sample rate range: MADI: 32 kHz - 96 kHz, word clock: 27 kHz-105 kHz, ADAT: 33 kHz - 57 kHz

Jitter: Internal clock < 1 ns, word clock In < 2 ns, ADAT In < 2 ns

Jitter suppression on external clock: circa 30 dB (2.4 kHz)

Jitter sensitivity: all PLLs operate even at 100 ns Jitter without problems

Power supply: internal switching mode ps, 100 V-240 V AC, 50-60 Hz, 10 Watts

Dimensions: 483 x 44 x 200 mm

Warranty: 2 years

ADI-648

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Accessories

MIDI breakout cable (BOHDSP9652MIDI)