Equipped with the latest 192 kHz AD- and DA-converters and two reference class microphone preamps the bus-powered Babyface delivers top sound in a nicely designed and attractively shaped enclosure. The Babyface uses the USB 2.0 high-speed bus and has been uncompromisingly optimized for highest performance under Windows and Mac OS.
The Babyface combines excellent analog circuit design with AD/DA converter chips of the latest generation. On top RME's famous SteadyClock ensures an AD- and DA-conversion of the highest reference quality. Both digitally controlled preamps provide individually switchable 48V phantom power. The extremely low THD+N values let these preamps surpass those of other devices that cost several times the price of the Babyface.
The incredible feature set includes an optical I/O, usable as ADAT port with SMUX support or SPDIF for sessions at up to 192 kHz. In combination with an ADAT converter the Babyface provides an incredible amount of 10 analog input and 12 output channels. The additional headphone output, driven from an extra DA converter, provides full 192 kHz sound experience, and is available not only directly at the unit but also on the breakout cable. Directly plug in your guitar or other instruments by switching one input to Hi-Z input mode.
The next generation of TotalMix delivers hardware mixing/routing with lots of new features and a highly improved usability. The unbeaten DSP mixer now not only matches features of high-end digital consoles but even adds effects like a 3-band parametric equalizer, reverb and echo to the mix.
RME's comprehensive MADI line is now extended by hi-class multichannel converters with 16 and 32 channels. The M-series converters have been conceived and optimized for professional studio, stage, and broadcast applications.
Packed into only 2U height the M-32 AD offers a 32-channel AD-conversion to MADI and ADAT in reference quality. The fully symmetrical analog circuit design guarantees excellent S/N and THD specs across a wide analog level range. Using up-to-date converter technology, the device not only works up to 192 kHz, but also reaches a real-world signal-to-noise ratio of 116 dBA - on all channels. Further features are analog limiters for an efficient protection of the analog inouts against overload, three hardware reference levels up to +24 dBu, MADI and ADAT I/O, analog inputs via 6.3mm TRS and D-sub connectors, remote control via MIDI and MIDI over MADI, and operation across a wide range of mains voltages.
Nearly identical features are found in the M-32 DA, which offers a 32-channel high-end DA conversion. It is easy to operate despite having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock into a state-of-the-art DA conversion, with outstanding THD and S/N specs of up to 118 dBA.
Both converters are also available as 16-channel versions. Except for the reduced channel count M-16 AD and M-16 DA are identical to their bigger brothers.
Included ADAT ports make the M-series not only first choice with MADI, but also a perfect solution for all other units having ADAT interfaces.
Based on a newly developed RME Hammerfall core, the RME Fireface UC provides revolutionary ultra-low latencies even with multiple audio channels and breaks performance restrictions of typical USB audio interfaces with sophisticated transfer technologies. It has been uncompromisingly optimized for highest performance under Windows and OSX with dedicated firmware versions for each platform.
With the Fireface UC, RME consistently set forth the path that was begun with the Fireface series. While the FireWire units (Fireface 400 and 800) still used a dedicated FireWire chip, the UC additionally integrates the entire USB protocol inside the FPGA and its programmable firmware, making the unit fully controllable and adjustable to new situations.
A field test with a wide variety of computer systems prior to delivery allowed for adjustments of the transfer protocol and adaptations to specific systems, ensuring the highest possible performance and compatibility. An overview of tested systems (both current and older varieties) and achievable performance can be found here.
Besides the uncompromising use of the USB High-Speed interface, the new Fireface UC provides a list of features unrivalled in its class. Once again, RME have defined the standard of innovative, future-proof mobile audio recording solutions.
RME finally presents the world's most versatile PCI Express audio interface - the HDSPe AIO. This card makes the dream of an All-In-One solution for every possible audio application come true. Equipped with the latest 192 kHz AD- and DA-converters for more than 112 dB signal to noise ratio, simultaneously operational SPDIF (phono) and AES/EBU (XLR) ports, full TotalMix hardware mixing/routing, SteadyClock for jitter suppression of external clock signals, optional easy-to-install high-quality analog expansion boards and support for the Time Code Option - all this combines into a professional 'soundcard' that the world has not seen before.
Of course the AIO supports the optional TCO for synchronization to timecode (LTC/video).
07/26/2010 DIGICheck Win 5.30 released.
07/08/2010 Firmware update for Fireface UC, v 111.
07/08/2010 Windows driver 3.084 for HDSP and HDSPe series.
07/08/2010 Mac 32 and 64 bit driver for HDSPe series, v 2.72.
07/05/2010 Windows 7 driver for Fireface 400/800 (3.016).
07/05/2010 Mac 32 and 64 bit driver for Fireface 400/800, v 2.73.
05/25/2010 Mac driver and firmware update for Fireface UC, v 1.40/104.
03/30/2010 Windows driver update for Fireface UC, v 0.938.
02/09/2010 New Windows firmware for HDSPe AIO (V11).
RME powers the 2005 MTV Video Music Awards. XM Production and Effanel Music recently completed the live music mix and recordings for the 2005 MTV Video Music Awards held in Miami, Florida.
Last Update: 18.09.2008, 17:55
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