• PCI & Cardbus
  • PCI Express
    • Internal
      • HDSPe MADI
        • 128-Channel 192 kHz MADI PCI Express card
      • HDSPe AES
        • 32-Channel 192 kHz AES/EBU PCI Express card
      • HDSPe RayDAT
        • 72-Channel 192 kHz ADAT/AES PCI Express card
      • HDSPe AIO
        • 38-Channel 192 kHz PCI Express card (SPDIF, AES/EBU, ADAT, MIDI, Analog)
      • HDSP TCO
        • Optional Hammerfall DSP Synchronisation module
    • External
      • HDSPe MADIface
        • 128-Channel 192 kHz MADI PCI ExpressCard for notebook computers
      • Multiface II
        • 36-Channel 96 kHz Audio Interface
      • Digiface
        • 52-Channel 96 kHz Digital Audio Interface
      • RPM
        • class="red">Out of production!
      • HDSPe PCI Card
        • HDSP PCI Express Interface for Desktop Computers
      • HDSPe ExpressCard
        • ExpressCard/34 Interface for mobile computers
  • Firewire & USB
    • Babyface
      • 22-Channel, 24-Bit 192 kHz Bus-powered USB High-Speed Audio Interface
    • Fireface UFX
      • 60-Channel, 24-Bit 192 kHz USB & FireWire Audio Interface
    • Fireface UCX
      • 36-Channel, 24-Bit 192 kHz USB & FireWire Audio Interface
    • Fireface UC
      • 36-Channel, 24-Bit 192 kHz,
        USB High-Speed Audio Interface
    • Fireface 800
      • 56-Channel, 24-Bit 192 kHz FireWire Audio Interface
    • Fireface 400
      • 36-Channel, 24-Bit 192 kHz,
        Bus Powered Mobile FireWire Audio Interface
    • Fireface TCO
      • Optional Fireface 800 Synchronisation module
  • MADI & AES/EBU
    • HDSP MADI
      • 128-Channel 96 kHz MADI PCI card
    • HDSPe MADI
      • 128-Channel 96 kHz MADI PCI Express card
    • HDSPe MADIface
      • 128-Channel 192 kHz MADI PCI ExpressCard for notebook computers
    • HDSP AES-32
      • 32-Channel 192 kHz AES/EBU PCI card
    • HDSPe AES
      • 32-Channel 192 kHz AES/EBU PCI Express card
    • M-32 / M-16 AD
      • 32- and 16-Channel High-End Analog to MADI/ADAT converters
    • M-32 / M-16 DA
      • 32- and 16-Channel High-End MADI/ADAT to Analog converters
    • ADI-642
      • 8-Channel 192 kHz MADI / AES/EBU Format Converter with 72 x 74 Routing Matrix
    • ADI-6432/ADI-6432R
      • Bidirectional 64-Kanal 192 kHz MADI / AES/EBU Format Converter
    • ADI-6432R BNC
      • Bidirectional 64-Kanal 192 kHz MADI / AES3-id Format Converter
    • ADI-648
      • 64-Channel 192 kHz ADAT/MADI Format Converter
    • MADI Bridge
      • 8 x 64 channel MADI Switcher/Router
    • MADI Converter
      • 6-fold MADI Optical-BNC/BNC-Optical Converter
  • Converters
    • Micstasy
      • 24 Bit 192 kHz 8-Channel Full Range Preamp & AD Converter
    • M-32 / M-16 AD
      • 32- and 16-Channel High-End Analog to MADI/ADAT converters
    • M-32 / M-16 DA
      • 32- and 16-Channel High-End MADI/ADAT to Analog converters
    • ADI-8 QS
      • 192 kHz 8-Channel High-End AES-EBU/ADAT/MADI AD/DA Converter
    • ADI-8 DS
      • High-Precision 8-Channel 96 kHz ADAT/TDIF AD/DA Converter
    • ADI-2
      • High Performance 192 kHz 2-Kanal ADAT/SPDIF/AES-EBU AD/DA Converter
    • ADI-192 DD
      • 192 kHz 8-Channel AES-EBU/ADAT/TDIF Format and Samplerate Converter
    • ADI-4 DD
      • 8-Channel 24 Bit/96 kHz AES-EBU/ADAT Format Converter
  • Mic Preamps
    • DMC-842
      • 24-Bit/192kHz 8-Channel AES42 Interface for Digital Microphones
    • Micstasy
      • 24-Bit/192kHz 8-Channel Full Range Preamp & AD converter
    • OctaMic II
      • 8-Channel MicPreamp with integrated AD conversion
    • OctaMic (D)
      • 8-Channel MicPreamp (OctaMic D: integrated AD converter)
    • QuadMic
      • 4-Channel MicPreamp
  • RME Accessories
    • HDSP TCO
      • Optional Hammerfall DSP Synchronisation module
    • Expans. Boards
      • Optional Expansion Boards for HDSP PCI cards
    • Advanced Remote
      • External monitoring remote for Fireface UFX/UCX and others
    • BOB-16
      • Universal analog XLR/SUB-D Breakout Box
    • BOB-32
      • Universal XLR/SUB-D Breakout Box
    • Cables&Adapters
      • Cables and Adapters for RME products
    • Rackmounts
      • Rackmounts for RME products
  • ALVA Cableware
    • RME partner
      • ALVA Audioware/Cableware: cables, tools and adapters for RME devices
Awards

We donīt say, our products are the best.
They do!


 



RME Micstacy wins Editors Choice 2008

The german Professional audio Magazine have chosen the Micstasy as "Editors Choice 2008“. "The usability concept of the 8-channel mic preamp Micstasy is unique, the sound quality is unimpeachable and working with it is a pleasure. As a permanent companion in the daily test review routine of the Professional audio Magazine, the extremely neutral and clean sounding preamp is convincing over and over again."

Editors Choice Award


Keys Reader Award 2007 "Best Studio Interface"

RMEs Fireface 400 wins the Keys Reader Award "Best Studio Interface".

Keys Reader Award


Keys Reader Award 2006 "Best Studio Interface"

RMEs Fireface 800 wins the Keys Reader Award "Best Studio Interface".

Keys Reader Award


TEC Award 2006 Nominee

RMEs HDSP AES-32 has been nominated for a 2006 Technical Excellence & Creativity Award. Category: Outstanding Technical Achievement, Digital Converter Technology.

TEC Award 2006 Nominee
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Electronic Musician Editor's Choice Award 2006

RME Fireface 800 takes home the Electronic Musician Editor's Choice Award!

EM EDitors Choice 2006
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TEC Award 2005 Nominee

RME Fireface 800 has been nominated for a 2005 Technical Excellence & Creativity Award in the category of Outstanding Technical Achievement, Digital Converter Technology.

TEC Award 2005 Nominee
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Mix Magazine 'Certified Hit'

The new Fireface 800 from RME is sizzling as Mix Magazine's chosen Certified Hit!

Mix Hit
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MIPA Award 2004

58 magazines from all over the world got together to vote for the best products of 2003/2004 in more than 40 categories. RME HDSP 9632 was chosen as best Recording I/O Device!

The awards were presented to the winners at a special mipa-Party/Awards-Ceremony held during the Musikmesse / ProLight & Sound March 2004 (1st of april). More than 300 international representatives of manufacturers and distributors of musical instruments and audio equipment attended the 5th mipa Awards Show including guests from the USA, Canada, Japan, Brasilia, South Africa, Russia, Poland, Great Britain, Italy, France, Greece, The Netherlands, Belgium, Luxemburg, Sweden, Denmark, Austria, Switzerland and Germany.

This proves that the mipa Musikmesse International Press Award has become the "Grammy" of the Musical Instrument/Pro Audio industry.

RME went up against tough competition this year with Edirol and MotU, and came away hands-down the judges' favorite.

MIPA Award
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